Pretty/Dirty, the first major retrospective of artist Marilyn Minter’s work, opened at the Brooklyn Museum on Nov. 4, and with all that has transpired since then, it’s understandable that it may not have shown up on your radar. Make no mistake though, this is one show that is not to be missed.
On view until April 2, Pretty/Dirty spans more than four decades of the feminist artist’s provocative pieces. The exhibit is part of A Year of Yes: Reimagining Feminism at the Brooklyn Museum, a series of 10 shows that have been produced over the last year to celebrate the tenth anniversary of the Elizabeth A. Sackler Center for Feminist Art, which permanently houses The Dinner Party, a landmark installation by Judy Chicago.
Sexuality is not something that Minter shies away from in her work.
Minter works across a spectrum of mediums including painting, photography and video. Her pieces investigate sexuality, politics and the mundane things in life–frozen peas and tea bags left discarded in a kitchen sink–alongside images that are both everyday and unexpected, like large-scale, digital images of a model’s vagina. Sexuality is not something that Minter shies away from in her work, which is glaringly obvious in many of the pieces on display in Pretty/Dirty. (more…)
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