Peter & the Wolf at the Guggenheim is highbrow children’s theater at its best. Photo: Works & Process at the Guggenheim
Part of living in NYC means navigating the holidays precariously toeing the line between time honored traditions and tourist traps. You won’t find many true New Yorkers braving the cold and the crowds at the tree lighting at Rockefeller Center. March up Fifth Avenue on a weekend looking for New Yorkers, and you will never find one. (They know to wait for the out-of-towners to go to sleep before they make the pilgrimage.) Any New Yorkers lining up for The Christmas Spectacular? Nope. Tea with Eloise at the Plaza? No way. Where are they all? Over the weekend, my 7-year-old son and I found them…they’re watching Peter & the Wolf at the Guggenheim.
Isaac Mizrahi is a national treasure. Photo: Works & Process at the Guggenheim
For the past 10 years, Isaac Mizrahi, fashion designer, TV presenter, Project Runway judge, author and a master of quips has been narrating and (since 2013) directing, a production of the beloved fable. The Peter B. Lewis Theater at the Guggenheim is an intimate setting of light and ivory, like being encased in an oyster shell. Instead of the polished pearl of a show you might expect on Broadway, this has a bit more edge. The musicians stroll in slowly, and start warming up their instruments seemingly haphazardly while the audience finds their seats. We sat next to the string section behind the conductor. As new instruments started playing, my son and I swerved our heads around the room for an aural version of “I Spy.” On stage, a giant garbage can, chainlink fence, enormous tree and NYC skyline represented Central Park. An actress playing the bird perched in the tree, and then the wolf took a seat on the park bench to read the newspaper before the show started. (more…)
The Toruk refers to a dragon/bird that must be tamed. Photo: Meredith Craig de Pietro
If you are wondering why someone would resurrect the 2009 film, Avatar, by James Cameron as a live show, please remember that the cast is painted blue, have tails, and live on another planet. Cirque du Soleil is remarkable at creating atmosphere, and putting their dazzling flair on the cold CGI film is like watching a parade–you don’t even notice the buildings, because you’re blinded by the confetti.
Avatar is brought to life with blue human hybrids astonishing audiences with arial performances. It’s better than watching the film in 3D. Photo: Meredith Craig de Pietro
I brought my 7-year-old son with me to Barclays Center to see Toruk: The First Flight, because it is being billed as a family friendly show. (For fans of Cirque, this means no trademark nudity.) From the time we sat down, we were both awestruck with visuals of earthquakes, waterfalls and volcanic eruptions. The deep-set stage is like a gladiator pit showing epic battles, tribal truces, and the rescue of the “tree of souls.” Blue human hybrids were conducting an aerial ballet, while speaking a made-up language and flying blimp sized kites.
“Do you understand the story?” I asked my son, as a voice narrated the quest for five secret amulets. “Ha ha! There’s no plot to this show!” my son replied. And he was right; that was secondary when you’re watching people construct a dinosaur out of bones and then somersault on top of it. “It’s a skeleton see-saw!” my son rejoiced. (more…)
An open workout session at The Muse’s brand new home. Photo: EunoiaImages
The idea of hopping the next freight train headed out of town to join the circus may seem like a decision one would only make in a black-and-white movie, but it’s actually quite easy to run away and become a trapeze artist in Brooklyn. Last week, I hopped a train, and right off the Wilson L, The Muse—a Bushwick-based circus school and venue that opened its doors last month—welcomed me into their enormous, high-ceilinged new space to learn about their community and try some acrobatic maneuvers myself. (more…)
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